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Families, not television, is what Christmas is all about. But can we help it as children growing up in America that many of our warmest family Christmas memories are wrapped around watching something on television?
Amos and Andy is a television classic from the 1950s that is rarely seen today because the series was practically banned from broadcast. But few people who have seen the series' Christmas episode are likely to forget it. 'The Christmas Story' is a touching piece, with Andy playing Santa to earn money to buy a doll for his goddaughter, while Amos (in a rare leading role) teaches his own daughter the true meaning of Christmas.
Jack Benny goes Christmas shopping in 1960, a yearly tradition on his show. The Adventures of Ozzie and Harriet (1952-1966) proved a TV show could be wholesome, entertaining and a ratings winner.
By the Eighties, the mere mention of 'Ozzie and Harriet' brought derisive laughter. The fact is, there will never be another show like it - a quality series written, produced, directed and acted by an actual, real-life family - a show that drew impressive audience numbers for most of the 14 years it was on the air.
That episode was a real family affair, extended Nelson family members were featured in the supporting roles and introduced at the end of the program.
Of course, these shows harken back to a bygone time, when a great deal of sentimentality would go into a sitcom's Christmas episode. It wasn't unusual to find the casts of these shows slowing down the pace to embrace a thoughtful moment by (gasp) singing a traditional Christmas Carol.
Andy Griffith and Elinore Donahue sing a lovely, acoustic guitar version of "Away in a Manger," sure to put you in a reflective Christmas mood.
Six years (and two spinoffs) later, the Clampett family joined with the cast of 'Petticoat Junction' to celebrate the holidays. The casts of both shows gathered to sing "Deck the Halls" on the Cannonball train as the episode ended. Talk about family get-togethers - it was extremely rare for one TV show to cross over into another in the 60s, but it happened frequently on the trio of Paul Henning produced shows ('Green Acres' being the third). Sometimes it's not your family but your co-workers you'll be spending Christmas with.
I personally love the holidays. For me, Christmas is a time for joy, laughter and warm family get-togethers (don't you just want to be sick?), but it's also a time that strikes dread into the hearts of some. Because after all, Christmas is about families. Or did we decide it was about television after all?
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OOOOPS: Christmas Eve is no longer a night when many people watch network television. NBC's dreadful 2.2 rating / 5 share for Dec. 24, 2000 was the lowest rated night ever for any network in the entire history of television.
"One truly classic Christmas television memory that merits your full inclusion in tvparty.com is "Sisters at Heart," the classic 1970 'Bewitched' episode where Tabitha confronts racism by having herself and a young African-American friend share their skin colors - Tabitha with large black polka dots, and her friend with large white polka dots. Samantha later tells the girls how true sisterhood transcends any difference in or sameness of skin color. "To many folks today, this approach might sound pure sitcom-simplistic, but a month before 'All in the Family' forever transformed U.S. television, this unusual show was quite bold and courageous. Remember, only some 13 years before this, Nat King Cole's show was dropped due to its inability to get national advertisers, who feared threats of boycotts from racists in the South. (Nervous network executives, I'm sure, also played a role in the quick demise of Cole's landmark show.) "With such rare exceptions as the still-remarkable 'East Side, West Side' and more trendy, self-conscious attempts at African-American inclusion as 'Julia', African-American faces and images were infinitely rarer on television than they are yet today. "'Bewitched', much as such 1960s shows as 'Star Trek' did, often confronted prejudice, hypocrisy, and other barriers to human happiness through the prism of fantasy. However, "Sisters at Heart" was quite unusual in that the idea for the story originated with the students of an English class at an inner-city high-school in the Los Angeles area. With the help of screenwriter Barbara Avedon and producer William Asher (Elizabeth Montgomery's husband at the time), who co-wrote the episode, the students were able to make their idea truly "ready for prime time." "The ending credits of the episode, in fact, individually named each of the students as well as their teacher. Think of what something like that, not to mention the media attention given the episode and its genesis, meant to those young people!" - Scott Enk
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