The New
Original
Wonder Woman
In 1967, 'Batman'
was one of the top TV shows in the nation. Producer William
Dozier put one of his best script writers (Stanley Ralph Ross)
on a spec job - to come up with a way to bring Wonder Woman
to the home screen. The script was written and a comedy pilot
was shot just as the Batman "camp" bubble burst in 1968, and
the series never made it on the air.
In 1974, Warner
Bros. decided to mount a Wonder Woman project, and Stanley
Ralph Ross pitched his (revised) approach: set the series
in World War Two and stay true to the original character concept
(created in 1938 by psychologist Charles Moulton).
Warners passed
on this "radical" approach, instead producing a TV-movie pilot
their way, updating the character for the Seventies (starring
Cathryn Lee Crosby as the title character). The movie garnered
high ratings, but was virtually unwatchable - and the character
unidentifiable without the classic star-spangled costume.
Warners knew they had the right idea (but wrong execution)
so they went back to Stanley Ralph Ross.
Ross wrote and
produced the 1975 TV-movie 'The Original Wonder Woman' his
way, scoring high marks with both the home audience and (some)
critics. Rather than the over-the-top camp of the 'Batman'
series, Wonder Woman emphasized adventure with a humorous
twist.
Set during World
War II, Wonder Woman co-starred Carol Burnett vet Lyle Wagoner
as Major Steve Trevor, a Nazi fighter who gets shot down over
Paradise Island. Diana Prince (Lynda Carter) is chosen to
be the first woman to leave the island, to use her Amazon
powers help America fight the Axis threat (with the help of
an invisible plane and magic lasso on loan from her Mom).
In some clever
casting, the first film features Cloris
Leachman and Fannie Flagg as the leaders of the Amazonian
Island where no men have ever set foot.
With the various
Bionic characters hot on ABC in 1975, programming VP Fred
Silverman ordered up eleven 60-minute specials to shore up
the weak spots in his schedule. And it worked, audiences loved
former beauty queen Lynda
Carter's portrayal of the mighty, magical woman from
Paradise Island.
In December 1976,
ABC experimented with running the show in a regular timeslot,
and in the fall of 1977, The
New Adventures of Wonder Woman moved to CBS to become
a regular weekly, hour-long series. These new adventures took
place in modern times, with the ageless Wonder Woman now working
for Steve Trevor, Jr. (also played by Lyle Wagoner), the son
of the Major she worked for during the war. During the 1976-77
season, a young Debra Winger appeared as Wonder Girl.
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The Incredible Hulk
This Universal
production updated the Marvel Comics character for TV, but
stayed remarkably true to the Stan Lee / Jack Kirby concept.
Kenneth Johnson wrote, produced and directed the two hit 1977
made-for-TV films that led to the 1978 CBS series.
'The Incredible
Hulk' is basically a modern re-telling of the Frankenstein
story with a twist - Dr. David
Banner experiments with gamma Rays and finds himself
morphing into a raging, green alter ego when he gets angry.
In the comic
books, the character's name was Dr. Bruce Banner - but 70's
network execs thought the name Bruce had too strong of a homosexual
conotation, so they changed it for TV.
Bixby was firm
in his contention that Banner was the focus of the show, not
the monster. The formula followed those of previous hit shows
like 'The Fugitive', 'The Invaders', and others. Dr. Bruce
Banner must stay on the run for a murder he didn't commit,
looking for a cure and avoiding newspaperman Jack McGee (played
by Jack Colvin) who follows him relentlessly from town to
town.
It wasn't long
before Lou Ferrigno began to have a problem with his second
banana status. After all, the show was called
The Incredible Hulk and he played the title character
- he deserved more airtime, and the Hulk should have some
lines now and then, he reasoned. This led to backstage battles
later in the series run.
There
have been several other Superheroes that made the transition
from comic books to television. We'll look at others in the
future.
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