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"REMARKABLE!"
A staple of local broadcasts in the fifties and sixties, the Our Gang comedies have virtually disappeared from TV today. In some measure that's because they may be perceived as racially insensitive; more likely it's because they have very little relevance to our modern society - or today's kids. The very first 'Gang' in 1922 consisted of Allen "Farina" Hoskins (the black kid), Mickey Daniels (all-American freckle-faced boy), Joe Cobb (the fat kid), Mary Kornman (the pretty girl), and Pete the dog (with a circle painted around his right eye).
As the kids grew up they were replaced by a younger crop, including: Jean Darling, Jackie Cooper, Tommy "Butch" Bond, Darla Hood, Darwood "Waldo" Kaye, Robert "Wheezer" Hutchins, Mary Ann Jackson, George "Spanky" McFarland, Dickie Moore, Carl "Alfalfa" Switzer, Norman "Chubby" Chaney, William "Buckwheat" Thomas, Matthew "Stymie" Beard, and Mickey Gubitossi (aka Robert Blake) among many others. Viewed from the perspective of today's over-indulgent parents and their ridiculously pampered offspring, these films take on a whole other layer of humor.
The early shorts weren't pretty, but then the world was a harsh place during the depression. Stymie, Dickie, baby Spanky and the gang typically found their fun in dusty lots behind crummy looking outbuildings, railroad tracks and the depressingly dilapidated shacks they lived in. STORY CONTINUES AFTER THIS AD
Fathers were more often than not presented as loudmouthed louts or prissy simpletons; mothers were gold-digging flappers, argumentative and parentally uninvolved. That is, until one of the kids ends up at the bottom of a well ("Well, well, Spud fell in the well!") or the authorities show up.
As an example of this color blindness, in the 1933 short The Kid from Borneo, Dickie, a white kid, mistakenly (but wholeheartedly) believes his uncle is an untamed African jungle man. When he shows a picture of his 'uncle' to his best friend Stymie, an African-American lad, this dialogue followed:
Stymie: "He sho' do look wild. What makes him so black?" Dickie: "Mom says he's the black sheep of the family." Stymie: "Them horns make him look more like a goat!" NEXT:
GROWING UP
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Our
Gang / Little Rascals: DID YOU KNOW: George "Spanky" McFarlane was with Our Gang from 1932-1942. MGM bought the Hal Roach Studios in 1938. Hal Roach produced Our Gang comedies from 1922 to 1938; Metro-Goldwyn-Mayer from 1938 to 1944. Porky from Our Gang died in 2005. The Our Gang comedies were renamed The Little Rascals for TV syndication.
Check out this catalog of classic TV shows on DVD!
TV
on DVD TV Guide's Little Rascals Page, with TV Listings, Photos, Videos, Exclusive News and More.
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It
has now been more than fifty years since The Little Rascals / Our Gang
short subjects came to television. 
In
the early productions the kids were often portrayed as orphans and neglected,
dirt-scratching urchins roaming the neighborhood with unattended babies
and an unleashed pit bull. While avoiding the police and truant officers
attempting to coral them into school, the gang was frequently plagued
by vagrants, burglars, carnival workers, larcenous circus midgets, snotty
rich kids and drunken monkeys.
Fly
My Kite, made soon after the series went from silent to talkies in
1929, illustrated perfectly the environment the kids inhabited. In the
film, the Gang's friend "Grandma" is being 
These
films were made for a different era, so there was some discussion in the
1950s as to whether scenes with bug-eyed, slow-talking Negroes would be
appropriate for broadcast. But for every scene that might be considered
offensive today there were dozens of examples of the racially mixed cast
all getting along as equals; they even went to school together. Their
world was fully integrated while the real world was thoroughly segregated;
ethnicity just wasn't an issue in the films.
Dickie:
"Hey fellows c'mere. Take a look at our uncle. Pop says he's plenty
wild, too."
