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conducted by Billy Ingram
MS: I met her when I was twelve. I went to a filming of one of her shows, Here's Lucy. That's the way I knew her, not as Lucy Ricardo but as Lucy Carter. That's what she looked most like when she wasn't playing Lucy. BI: Did you get to meet her the first time you went to a taping?
I got to backstage to a place called "Lucy Lane" which Universal Studios built for her behind the set. There was a boutique shop and a hair-and-makeup place, it looked like a street. No one really saw it but the cast and crew. When I met her, she was standing in front of her dressing room, three steps up, and I remember looking up at her and she was like twelve feet tall! She was really nice to me, she signed an autograph, looked through my scrap book, gave me a kiss and off I went. And then I happened to go over and over again and we became buddies. From You Tube - Lucille Ball on Dinah:
MS: I can remember it like it was yesterday. It was on Thursday afternoons. When they filmed it at Universal Studios, they got most of their audience from the Universal Tour. So if you were on a tour bus at 1:00 on a Thursday afternoon, they'd say, "Congratulations everybody, you're going to a taping of Here's Lucy with Lucille Ball" and everyone would get excited. Gary Morton (Lucy's husband and stand-up comedian) would do the warm up for fifteen or twenty minutes then Lucy came out and answered questions. When they would introduce Lucy, she would literally run from one end of the stage to the other, waving. And the audience went crazy. She would introduce the cast and then they would film the show from start to finish, almost without stopping. They might do half a scene over or pick up a line, but that's it.
MS: I think she was tired of the weekly grind and television was changing. That's when All in the Family was starting, Good Times and all these Norman Lear shows were on and she wasn't that type of person. It was time for her to relax. The kids were grown and she was going to do yearly specials. She probably thought she was going to do more than she did, she only did a handful of them, like five or six.
I got a job at a department store and she came by one day to see if I was really working. She bought $600 worth of linens from me. She gave me her home phone number and said, "Do you play Backgammon?" and I said "No," and she said "You'll learn." She taught me how to play Backgammon and I still play to this day.
MS: Well, not while you were there. The show was sold out to the general public before they filmed one shot of footage. It was like going to Friends which is sold out forever. When you were there you had a great time.
She wasn't like a star. She was happy to be coming back, she even said she was bringing two hundred people back to work. She was happy that some of the same people that worked on I Love Lucy were with her forty years later. The sound man, who was hard of hearing (which she always thought was funny), the director, Gale Gordon, her stand-in, they were all there. Oh, and her writers. She was able to get other writers, who wrote for M.A.S.H. or whatever, but she wanted her writers. BI: Looking back that may have been a mistake.
BI: She had a reputation for being very demanding to work with.
If Lucy said something, she was tough about it, like "Hey, you're off your mark." Was she nasty? Absolutely not. She was firm, but twenty seconds later when she had a break, she was playing Password or Backgammon. She was having a lot of fun, like a little schoolgirl. They had three or four directors. There was a director named Bruce Bilson and he wanted a more of a quiet set. After lunch everybody was talking about what they had for lunch, "I had this, I had that" and finally the director yelled, "I don't care what anybody had for lunch. I don't care what you had for lunch, I don't care what you had for lunch, I want this place quiet!" And about twenty seconds later, Lucille Ball said, "I got tuna" and broke everyone up laughing. From then on it was a happy set. People could come by and watch rehearsals, it was a free set.
BI: When Life with Lucy was cancelled, is it true that she felt like people didn't like her anymore? MS: Absolutely. She was devastated. She said she had never been fired before and she really thought nobody liked her anymore. She was really hurt. I think she was more upset with ABC because they didn't give her a chance, seven episodes then out.
BI: You were at the Academy Awards with Lucille Ball? MS: I was going to be a seat filler. The second she walked through the door she grabbed me and said; "Michael, come with me." Even at the Academy Awards fifteen years ago there were a lot of credentials. You can't go here, you can't go there without credentials. And believe me, I was at the bottom of the totem pole in terms of credentials. She grabs me and I go everywhere with her. It didn't matter, credentials or not, I was with the president, I was with the Queen. I was going everywhere with her. I was in the Green Room and meeting all her friends, "You know Jimmy Stewart, this is Cyd Charisse." These were major stars. She gave me her ticket to the audience, so I literally sat in the second row the entire time. I was no longer a seat filler. BI: How was she feeling at that time? She died just a few weeks later. MS: She had been ill but when I was with her she looked great. When I saw her on tape years later, yeah, I could see she was ill. When you were with her you couldn't tell. BI: The day Lucy died, the world changed forever in a small way. I just couldn't imagine that Lucille Ball would no longer be there. MS: She died like at 6:11 in the morning. By 6:15, Entertainment Tonight was calling me, USA Today and Dan Rather's office in New York and Good Morning America. It was the biggest news story.
From You Tube - Lucille Ball interview from 1977:
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