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Mr.
Adams and Eve
She was much more than the studio's allowed. Lupino wanted creative control to shape her own film projects, this at a time when only a couple of women had ever directed a motion picture and few women were taken seriously at all in the business. She became only the second woman to be admitted to the Director's Guild.
By the mid-fifties, Lupino was building a sterling reputation as one of the top TV directors around, on programs like Alfred Hitchcock Presents, General Electric Theater, Have Gun-Will Travel and others.
The supporting cast featured Hayden Rorke (I Dream Of Jeannie) as their manager, Alan Reed (voice of Fred Flintstone) as the blustery studio head and the wonderful Olive Carey as sassy live-in maid Elsie. Carey appeared in one other TV program as a regular, the 1960 syndicated series Lock-Up, but is known best for the remarkable characters she inhabited in seminal westerns like Gunfight at the O.K. Corral, The Searchers and The Alamo. Her roles were always small, but Olive Carey made an indelible mark on film.
Just months after filming ended on Mr. Adams & Eve, Universal developed a pilot for a possible half-hour drama starring Lupino and Duff along with silent film actor Ramon Navarro. The Green Peacock was never produced. Howard Duff went on to become a regular on a number of series, including three years leading the Felony Squad in the mid-sixties and one year stints on Flamingo Road, Knots Landing and Dallas. He and Lupino divorced in 1968, Howard Duff died in 1990.
As an actress she turned up on a wide variety of programs, including Alias Smith and Jones, Batman and The Wild, Wild West. She directed another motion picture in 1966, The Trouble with Angels.
Jeff Vilencia writes:
"One day I got a phone call from the office of Fredrick DeCorva (producer at the time of the Carson 'Tonight Show'). A few weeks earlier I sent him a VHS copy of 'Mr. Adams and Eve' (he produced the series). He wanted to thank me, and to talk about that show! He says the two season negatives are in legal problems in somebody's estate, which is why the show has not been seen for years in syndication. He also sent me an 8x10 autograph photo, which was cool. "The other people who have a video copy of that film is the Museum of Broadcasting in NYC. I made them a video master in 1986, UCLA now has the original reel of film, which I gave them. One day DeCorva's office calls me, and asks if I would be so kind to phone the American Cinematheque, they were doing a special tribute to Ida Lupino.
"They have the tribute, and a week later the CBS legal department calls me, and they ask if I was the one who 'licensed' the show to them to use? Having worked in this stupid biz, I was keen on wordings, I said, 'No' I let them use my private copy. I don't own the rights to the show. There was no money etc - etc - etc! They asked how I got a copy of the show? I told them, back in the 1970's when I was in high school, I knew people who worked in television film exchange and the print was a discard. They asked me if I had the rest of the two seasons? I said no, just this one episode.
"So the history of Hollywood television seems to have gone the same way as the old movies in the 1920's - lost, thrown away, misplaced."
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